L'Italiana in Algeri. Deutsche Grammophon, Scarlatti, Domenico. John Browning performs Scarlatti: 30 keyboard sonatas. Stabat Mater. Schubert, Franz. Impromptus op. Lydian, Shatin, Judith. Dreamtigers: chamber music. Wendigo Music, Piping the earth: orchestral works. Capstone Records, Strauss, Johann. Dorian Discovery, Mansfield, Helen. BBC Productions, Mascagni, Pietr.
Cavalleria rusticana. Miller, Allan. High fidelity: the Guarneri String Quartet. First Run Features, Poulenc, Francis. Kinowelt, Puccini, Giacomo. Turandot [Franco Zeffirelli]. BelAir Classiques, Ravel, Maurice. Kultur, Rosen, Peter. Leipzig: EuroArts Music International, Strauss, Richard. Elektra [Metropolitan Opera]. Die Frau ohne Schatten: opera in three acts [Mariinsky Theatre]. Mariinsky, Verdi, Giuseppe.
Attila: dramma lirico in a prologue and three acts. C Major Entertainment, Un ballo in maschera [Metropolitan Opera]. Decca, Simon Boccanegra [Metropolitan Opera]. Wagner, Richard. Audissino, Emilio. Cham, Switzerland: Palgrave Macmillan, Friedwald, Will. The great jazz and pop vocal albums. New York: Pantheon, Corea, Chick. Arthaus Musik, Errante, F. Delicate balance. Aucourant Records, Peterson, Oscar. Oscar Peterson: music in the key of Oscar.
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The art songs of Louise Talma. New York, NY: Routledge, Parsons, Laurel, and Brenda Ravenscroft. Analytical essays on music by women composers: concert music Polyudova, Elena. Soviet war songs in the context of Russian culture. Newcastle upon Tyne: Cambridge Scholars Publishing, Vande Moortele, Steven. The romantic overture and musical form from Rossini to Wagner.
Talbot, Brent C. Marginalized voices in music education. New York: Routledge, Brae, C. New channels of music distribution: a complete guide to music distribution, music business, promotions, and selling music. Donizetti, Gaetano. New York: G. Schirmer, Inc. D L Milano: Ricordi, M Z Madame Butterfly: opera in three acts.
Milano: G. Ricordi, Cooke, Mervyn, and Fiona Ford. The Cambridge companion to film music. C Young, Gregory, and Jenny Olin Shanahan. Undergraduate research in music: a guide for students.
Texas UIL B-Flat Clarinet Solo Class 2 | Sheet music at JW Pepper
Y68 Moore, Robin D. College music curricula for a new century. C64 Rascher, Sigurd. Fredonia, NY: Daniel A. R P38 Murphy, Kathleen, and Barbara L. Music therapy research , Third ed. Dallas, TX: Barcelona Publishers, Plog, Anthony. Postcards I: for trumpet solo. P P The fountains of Rome: symphonic poem for orchestra. Mineola, NY: Dover, R F Sanders, Bernard Wayne. Etchings: for trumpet, trombone and organ. S E Sonata in d for trombone and piano. Boulez, Pierre.
Complete Columbia album collection. Harrison, Ted. The death and resurrection of Elvis Presley. London: Reaktion Books, P96 H43 Swedien, Bruce. Make mine music. Sarpsborg: MIA Musikk, S94 A3 Harris-Warrick, Rebecca. Dance and drama in French baroque opera. New York: Cambridge University Press, H37 Moseley, Roger. Keys to play: music as a ludic medium from Apollo to Nintendo.
Oakland, California: University of California Press, M67 Kleinman, Judith, and Peter Buckoke. The Alexander technique for musicians. London: Methuen Drama, Adams, John. The Chairman dances: foxtrot for orchestra. New York: Associated Music Publishers, Music Reserves A C O32 C68 and CD. O32 D O32 F O32 G O32 V Mineola, N. S R Boulez, Pierre, Gordon, Steve. The 11 contracts that every artist, songwriter, and producer should know. Music Reserves ML G Milwaukee, WI: Hal Leonard, Dolata, David. Meantone temperaments on lutes and viols. Bloomington: Indiana University Press, D65 Hodges, Donald A.
A concise survey of music philosophy. H Villamil, Victoria Etnier. O ma Carmen: Bizet's fateful gypsy in portrayals from to the present. B62 V57 Bugos, Jennifer A. Contemporary research in music learning across the lifespan: music education and human development. Music Stacks MT1. C69 Whitehead-Pleaux, Annette, and Xueli Tan. Cultural intersections in music therapy. Gilsum: Barcelona Pubs, Asyla: for large orchestra, op.
London: Faber Music, Music Oversize A A Polaris: for orchestra: op.
Harlow: Faber Music, A P Rapsodie pour 5 clarinettes en Bb. Paris: G. Billaudot, D R Erdmann, Sign. R L Haas, Georg Friedrich. Wien: Universal Edition, H L Pichler, Sign. Porter, Walter. Collected works. Recent researches in the music of the baroque era. Music Miniature Scores R43 M4. Reit, Alyssa. The emperor's new clothes: from the tale by Hans Christian Andersen. R E The nightingale: a story from Hans Christian Andersen for storyteller, harp, and flute.
R N The ugly duckling: a story from Hans Christian Andersen for storyteller, harp, and French horn. R U Wish: for harp and viola. R W Schwinghammer, Jean Francois. Sony Music Entertainment, Barrett Deems Big Band. How d'you like it so far? Delmark, Bob Florence Limited Edition. Sea Breeze Record Co. Good vibes at the Pawnshop Jazz Club. Proprius, Hyman, Dick. Jazz in July-- live at the 92nd Street Y. MusicMasters, Marsala, Joe. Greenwich Village sound. Pickwick Entertainment, Original Dixieland Jazz Band. V-Disc parties: original recordings.
Jazz Unlimited, Robillard, Duke. Duke Robillard plays jazz: the Rounder years. Rounder Records Corp. Robinson, Spike, and George Masso. HEP Jazz Productions, Russell, Pee Wee. Pee Wee's song: the music of Pee Wee Russell. Arbors Records, Sandke, Randy. The re-discovered Louis and Bix. Nagel-Heyer Records, Charlap, Bill2gether. Wild Bill Davison Band.
Exactly like you. Arena, James. S McCann, Bryan J. The mark of criminality: rhetoric, race, and gangsta rap in the war-on-crime era. Tuscaloosa: The University of Alabama Press, M3 Olsson, Ulf. Listening for the secret: the Grateful Dead and the politics of improvisation. G72 O47 Benham, Stephen John. ASTA string curriculum: standards, goals and learning sequences for essential skills and knowledge in K string programs. Music Reference MT B A85 Hilliard, Howard, editor. Intermediate studies for developing artists on the trumpet.
Delray Beach, Fla. I58 Hilliard, Howard. Intermediate studies for developing artists on the tuba. Adams, Leslie. Loving touches: for oboe and piano. A L Arad, Atar. Leipzig: Friedrich Hofmeister Musikverlag, Aubert, Jacques. Winterthur, Schweiz: Amadeus, Stuttgart: Carus, Wien: Wiener Urtext Edition, B P Balayer, Charles. Parisian dream: pour quatuor de saxophones. Sampzon: Editions Delatour, Barber, Simon. Complessi di risonanza: for oboe. Milano: Musicisti Associati Produzioni M. Baumgarten, C. Quartet in G major, op. B Q Bernabei, Giuseppe Antonio.
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Asakusa: pour saxophone alto et percussion ad lib. Paris: Alphonse Leduc, B A Brahms, Johannes. Henle Verlag, Brotons, Salvador. Capriccio brillante, op. Campagnoli, Bartolomeo. Recent researches in the music of the pre-classical, classical, and early romantic eras. R43 M5. Carulli, Ferdinando. Grande sonate: for guitar. Madrid: Ediciones Eudora, C U Duo concertant: op. C B Ciesla, Alexis. Mainz: Advance Music, C C7.
C O Coleman, David. C D C G Davies, Peter Maxwell. Oboe quartet: Mainz: Schott, D Q Dempster, Thomas. Pentes:grammes: solo piccolo. Louisville: Potenza Music Publishing, D P Desvignes, Arnaud. D S Winterthur, Schweiz: Amadeus Verlag, Druel, Guillaume. D A Eberlin, Daniel. Four sacred cantatas. E16 C Ferroud, Pierre-Octave. Serenade for orchestra [arr. F S Fiala, Joseph. Concerto in B flat for oboe or flute and piano.
London: European Music Archive, F C Floyd, Ashley. Prokofiev: for solo oboe Lakeland, FL: Brixton Publications, F P Foggia, Francesco. Sonate; Andantino quietoso, op. F A Fribbins, Peter. Fantasias for viola and piano. London: Music Haven, F F Geiss, Philippe. G T Glinka, Mikhail Ivanovich. Winterthur: Amadeus Verlag, Q Q Graef, Friedemann. G P Hammerschmidt, Andreas. H G Handel, George Frideric. London: Nova, H S Heucke, Stefan. Concerto for alto saxophone and orchestra, op. Tokyo: Prhythm, K17 C7.
Kitazume, Michio. Reeds singing a song: for oboe and piano. Tokyo: Zen-On Music, K62 R Krebs, Johann Ludwig. Fantasia in G minor: for oboe and organ with optional basso continuo bassoon or cello. K92 F3. Larsen, Libby. Monk's oboe: for oboe and piano. Minneapolis, Minnesota: Libby Larsen Publishing, L M Sonata no. L S Legnani, Luigi. Heidelberg: Chanterelle Verlag, L C and CD. Lewis, Paul. Leyendecker, Ulrich. L E7. Lindberg, Nils. L V Martin, Robert. Woodwind quartet no. King of Prussia: Theodore Presser Company, M Q Mercadante, Saverio.
Miettinen, Juho. Violation: for viola solo: rev. Helsinki: Juho Miettinen, M V Concert arias: for low soprano and contralto. M A Neumann, Heinrich. Padova: Armelin Musica, N G Norris, Jeremy. Jazz suite: for alto saxophone in E-flat clarinet in B-flat and piano.
N J Nyman, Michael. Songs for Tony: for saxophone quartet. London: Chester Music, N S Andantino: pour saxophone alto et piano. P A Pokorny, Franz Xaver. Concerto for clarinet and orchestra in B-flat major; Concerto for clarinet and orchestra in E-flat major. La Cavale: for flute and piano. P C Prost, Nicolas. AP S Punto, Giovanni. P D Quantz, Johann Joachim. Trio sonata, K. Q1 S Richard, Jean-Charles. Paris: Le Chant du Monde, R A Ronkin, Bruce. The Orchestral saxophonist. Glenmoore, Penn.
O7 Rorem, Ned. An oboe book: for oboe and piano. R O Rosini, Paolo. Tre pezzi: clarinet and guitar. R P S F Piano quintet in A major, op. Henle, S Q Schumann, Robert. S I Shrude, Marilyn. Litanies: for flute, oboe, piano; New York: American Composers Alliance, S L Soler, Josep. Barcelona: Clivis, Stahmer, Klaus. Berlin: Verlag Neue Musik, S M Telemann, Georg Philipp. T C Theofanidis, Christopher. Rainbow body: for orchestra, Brooklyn: Bill Holab, T R Vaughan Williams, Ralph. Harnham Down. V H Vern, Auguste. Nocturne op. Bologna: Ut Orpheus, V N Voigt, Friedrich Wilhelm. Wilson, Jeffery J.
Jazz paraphrase: for saxophone. London: Camden Music, W J Zalba, Javier. Z22 C Ansermet, Ernest. Concerto for seven wind instruments, timpani, percussion and string orchestra; etudes for string orchestra. Decca Records, Early Music Consort of London. The art of courtly love. Grieg, Edvard. Peer Gynt: incidental music to Ibsen's play. Katchen, Julius. Lanchbery, John.
Lomax, Alan. Parchman Farm: photographs and field recordings Dust-to-Digital, Thousand and one nights nights. Tchaikovsky, Peter Ilich. Scenes from Swan Lake. Williams, John. Music from the motion picture E. MCA, Young, La Monte. The well-tuned piano. Gramavision, Music Recordings CDa-c. Dallin, Leon. Heritage songster: folk and familiar songs: words, music, legends, chord symbols, guitar, ukulele, banjo, autoharp, piano , 2nd ed. Dubuque, Iowa: W. Brown Co. H34 Brown, Steven. Music and manipulation: on the social uses and social control of music.
New York: Berghahn Books, M Hanning, Barbara Russano. Concise history of western music , Fifth edition. New York: W. Yudkin, Jeremy. Understanding music , 7th ed. Y86 U53 and CD. Jordan, James Mark. Teaching music through performance in choir: resource recordings. Volume 3, Levels Music Book Recordings MT T CD. Mark, Thomas Carson.
What every pianist needs to know about the body. GIA Publications, Rosenholtz, Stephen. The Feldenkrais method: basic lessons in awareness through movement. Suggested for good high school clarinetists and up. Click here to watch a performance. Also available with strings. This is a lyrical piece marked Moderatamente cantabile.
The CD is of the piano only. Here is a video of Sergio Bosi playing this piece. There are also at least two other professional performances on YouTube. Edizioni Musicali Eufonia, SS. This edition is for clarinet and string orchestra. C Romanza for clarinet and piano by Michele Mangani. Dedicated to Michele Gingras.
A very pleasant piece at an Allegro cantabile tempo. The duration is about minutes. Here is a performance by Michele Gingras. Allegro tristemente, II. Andante dolcemente, and III. Allegro con fuoco. Here is one of several performances on YouTube. The clarinet part is the same for either version with the piano part transposed. Relatively easy intermediate level piece with tempos of Andante cantabile and Poco piu mosso. Duration about 4 minutes.
- Piano Concerto No. 2 in G Minor, Op. 22 (Kalmus Edition) - Books?
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- Clarinet Concerto No. 1 (Weber).
Click on the cover image to view the first page of each version of the score. C Verdiana for clarinet and piano by Michele Mangani. This is a Fantasia on themes from the operas of Giuseppe Verdi. It is sectional and at the college level although with some cuts it could probably be performed by a student who has not quite reached this level.
The duration is about 17 minutes. Here is a performance by the dedicatee with orchestra. This is described on the publisher's website as a faithful setting of this much-beloved piece. It can be used with other treble clef instruments in C or B-flat. Duration of about 2 minutes. Here is a performance on trumpet which also shows the score. Frank Martin was a Swiss composer who created a synthesis of the chromatic and twelve-tone techniques without, however, abandoning tonality.
Ballades were a specialty and he wrote them for a number of instruments. Originally written for saxophone virtuoso Sigurd Rascher, the composer created a basset horn version in for Hans Rudolf Stalder. It is sectional with many tempo changes. An interesting one-movement, sectional work with excellent handling of the clarinet. A good showpiece. The Paris National Conservatory contest piece written for It is sectional and includes arpeggios, runs, and other rapid passages.
Here is a student performance from YouTube. With its long, sinuous melodies and seemingly spontaneous modulations through a number of different tonal areas, this piece celebrates the joy and freedom the composer finds in this and related dance forms. Duration of 10 minutes. The composer writes, "After some reflection I can say that this music is about the need to stop and simply to be; to stop thinking, stop planning, stop worrying, stop presuming to know how we are supposed to act in the world.
This music is about the transformation of suffering. Lamentation; II. Elegy: August 6, ; and IV. Eternal Garden. Much of the clarinet part is sustained notes in the lower register while the piano has the moving part. Early college level with a duration of about 27 minutes. Here is an audio file of the first song from YouTube. The others are there also. Click on the cover image to view a representative page of the score near the end of the piece. C Sonata for Clarinet and Piano Op. Mason was an American composer who studied with Paine at Harvard and d'Indy in Paris and whose work also shows the influence of Brahms.
This sonata was written from to but not published until The movements are Con moto, amabile; Vivace, ma non troppo; and Allegro moderato. Jules Massenet was a French composer best known for his operas. This is a popular piece that has appeared in a variety of arrangements. A good work for the early intermediate student or anyone looking for piece with strong emotional content. This beautiful and popular piece was originally for violin and orchestra.
It is performed between scenes in Act II of the opera. Better high school level performers and up. It has a range to altissimo F. Click on the cover image to view selected pages from the score the clarinet part is shown in concert key. Click here to here to listen to a complete performance. Peter Mathews was born in Vancouver, British Columbia where he studied violin and piano.
He has worked as a composer and conductor in the US for many years. This is described on the publisher's web site as "colorful, idiomatic writing. Exquisite duo. Welcomed addition to very limited repertoire. Click on the cover image to view the last page of the score the clarinet part is shown in concert key. There is an audio recording of a complete performance on the composer's web site.
Click here , then on Chamber and Instrumental Music and scroll down to the title then click on play. C Clarinet Concerto Op. Arrangement for Clarinet and Piano with percussion in the third movement. Dedicated to Gervase de Peyer who gave the first performance in In three movements: Allegro vivo, Lento espressivo, and Allegro molto vivace. This is a good contemporary piece without extended techniques for advanced performers. C Sonatina for Clarinet and Piano Op.
Composed in and revised in , this piece is dedicated to John Davies and Else Cross who gave the first public and broadcast performances. Three movements Allegretto, Lento molto cantabile, and Allegro. College level repertoire. Rachel Matthews has performed as a solo pianist and chamber musician across the US, Canada and Europe and is increasingly establishing an original voice as a composer.
College level with a duration of about 13 minutes. If you visit the publisher's website you can view the score of this piece by clicking on the cover image there. There is an audio excerpt here on the composer's website. Lowndes Maury was a composer born in Montana who went on to work in Hollywood as a pianist, composer-arranger, and conductor.
The publisher rates this piece at grade 3. It is on the contest list for Texas and Virginia. Jules Mazellier studied at the Paris Conservatoire where he was latter a professor. He wrote six concours pieces with this piece being used in The piece begins with an expressive Andante section and concludes with a Scherzo which includes a cadenza.
Heim describes this as a work in late nineteenth century style, requiring facile technique. He grades it as a 6, the publisher a 5. John McCabe is an English pianist and composer who has written music for virtually all genres. This piece was written in and was first performed that year by Keith Puddy to whom it is dedicated. The three pieces are: 1. Improvisation a Bossa Nova, Con moto , and 3. College level with a duration of about minutes. Three pieces for the intermediate level clarinetist. Delightfully witty pieces with unexpected harmonic flavors.
Funny, touching and original, they will find a permanent place in your affections. These are on the current Associated Board of the Royal Schools of Music exam list for their grades 4 and 5. Sectional with all but the last short: Allegro maestoso, Andante cantabile, Allegro moderato,Theme and 2 Variations, Adagio, and Polonaise.
Numerous cadenzas. Our WW is a version of this piece for clarinet, oboe, and bassoon. Not exactly the same as above as the second variation is not differentiated and from that point on there are differences. Based on the arrangement by Gustave Langenus, Matt Johnston has edited the score and clarinet part, correcting various errata and also making it a bit easier to read throughout, especially the cadenzas.
Click here to listen to this piece. This transcription presents eight of Mendelssohn's "Songs without Words" in a setting for clarinet and piano and suitable for intermediate level players. The pieces are from Op. This early work by Mendelssohn is presented with notes on the editing. This piece is suitable for third or fourth year students. The famous wedding march from a Midsummer Night's Dream. It has a number of repeats so it should be easy to adjust the duration as needed. Allegro vivace with a range to high C.
Julian Menendez was a Spanish clarinet virtuoso and composer. This advanced work is a showpiece for the clarinetist. Duration about 11 minutes. Mercadante was an Italian composer especially known for operas and church music although he wrote instrumental music as well. The clarinet part goes no higher than altissimo D. Early college level with a duration of 15 minutes. Here is a performance with somewhat substandard sound. This piece is in three movements: Allegro maestoso, Largo, and Allegro. The clarinet part stays within the lower two registers and has concentrated sections with triplet eighth-notes or sixteenth-note scales, chords or arpeggios.
The piano reduction is well done making this excellent repertoire for the advanced college level player. Here is an audio file of a performance with some added ornamentation and a cadenza with orchestra. This edition is larger than the Southern Music version, and the clarinet cadenza, which is in very small type in the Southern edition, is much easier to read.
C Sonate Op.
Marcel Mihalovici was a Romania born French composer. This piece is dedicated to Louis Cahuzac and has three movements: I. Has a strong sense of tonality and controlled dissonance. The writing for both instruments is superb, with a chamber music equality of parts. The range of the clarinet part is moderate; the major challenge is rhythmic dialogue with the piano. Duration about 16 minutes.
A brief but attractive piece. Dedicated to Benny Goodman. Four movements: I. Lively, II. In very strict time, III. Final Lively. Paraphrasing Prof. Heim: This is a major work in the clarinet concerto repertoire. It is in contemporary French style, is well written for the clarinet, emphasizing its best qualities. The jazz idiom is prevalent in the fast movements. It is technically and musically demanding with endurance as the major performance difficulty for the clarinetist because there are few rests and those are short. The piano reduction is complex and requires an excellent player. A work for excellent college players or professionals.
A jazz influence is found rhythmically and melodically. It is a virtuoso-sounding piece that is satisfying for the player and listener. The clarinet part requires facile technique, short, fast staccato, and good embouchure flexibility. This work from Milhaud's music for the play Le bal des voleurs which was composed for clarinet solo.
Calmel has added a piano part. Allegro, II. High school level. For clarinet in B-flat. Lively first Allegro and third Brazileira movements surround the middle Moderato movement which alternates between melancholy and lighter phrases. The clarinet edition by the composer may work better with the piano than with the somewhat bombastic orchestral accompaniment written for the original alto saxophone version.
The fast movements are dissonant and atonal; harmony is based on chords in thirds. The second movement is lyrical. A good work for college graduation recitals and professional programs. Oriana Publications Ltd. Simon Milton is a composer and clarinetist who was born in Penzance, Cornwall, and is a graduate of the Welsh College of Music and Drama. This is a new work in the traditional clarinet showpiece style that hews closely to tunes from Bizet's opera.
College level with a duration of about 9 minutes. This piece written for the Paris Conservatory competition in It is sectional with some mixed meter. College level with a duration of about 6 minutes. Henry Mollicone is an American composer. Elegy was commissioned by organist Douglas Cleveland. It is a one-movement work in a lyrical, meditative style. Its harmonic language is French-influenced, but the composer considers the piece primarily melodic. Although Elegy is not a programmatic work, it is based on musical materials that are varied throughout, and suggested to the composer a restful, pastoral setting.
Click on the cover image to view several pages of the score. This piece is an effective blend of Classical and Romantic styles. Range is moderate but technical parts require a fairly advanced performer. Two copies at this price.
Breitkopf, , SS. For D clarinet and also includes an alternate part for A clarinet with many passages high in the altissimo. The Molter concerti are some of the oldest known for clarinet. We can get the accompaniment parts for this concerto and for the other three. Contact us for details. D clarinet and alternate part for A clarinet. For D clarinet and also includes an alternate part for A clarinet. For D clarinet and also includes an alternate part for A. C Molter Concerto No. This edition has the piano part transposed to B-flat so that the E-flat clarinet can play the original part.
Includes notes on Molter and the concerto in French and English. This edition has the piano part transposed so that the E-flat clarinet can play the original part. We had a request for a cheaper arrangement and have imported this one from Italy. Born in Gerona, Spain, Xavier Montsalvatge became a major figure in the musical world of Barcelona, where he lived for most of his life.
In addition to composing some works, Montsalvatge also worked as music critic and was professor of composition at Barcelona's Conservatori Superior. Two pieces from the soundtrack of the movie The Mission. Gabriels Oboe is especially popular. Click on the cover image to view the first page of the score of each piece. Morris born is an Australian composer who also studied in London. This work is in three movements: I. With a strong jazz feel, II. Adagio, III. All movements feature mixed meter. Click on the cover image to view the first and last page of the clarinet part. Moritz Moszkovski Moszkowski was a German Jewish composer, pianist, and teacher of Polish descent who was particularly known for his piano music which is the source of these arrangements.
They are from Op. The first dance is at a moderato tempo and has some triplet figures. It is at the intermediate level. The second dance is much more difficult. Intermediate level. This edition contains solo parts for clarinet in A or basset clarinet in A. It is based on the urtext edition in the Neue Mozart-Ausgabe. It has a new easy to play keyboard reduction and first movement fermata embellishments from early 19th century sources.
Baerenreiter TP , , PB, 80 pages. A miniature score for the Baerenreiter edition for clarinet in A. Also includes copies for comparison of the clarinet and basset clarinet parts. This new edition is the result of extensive research by Charles Neidich and incorporates lessons learned from the concerto fragment KV b as well as other sources. It includes extensive notes and footnotes as well as sample eingangs. Click on the cover image to view a sample page early in the first movement from the bassett clarinet part. Baerenreiter BA , , PB, 80 pages.
The traditional version non-basset clarinet suitable for performance use. Baerenreiter BA b , , PB, 82 pages.